魔法背后的数学
我们的行业是一个技术行业. While we’ve got our fair share of marketers, 销售的同事, 金融家, 和会计师, as well as public relations practitioners, it all comes to a screeching halt if the content itself can’t be delivered at an acceptable quality in a timely manner.
2020年即将到来, we're not a nascent industry anymore; indeed, 我们要庆祝23岁生日了 生日. But we’re still as reliant on algorithms and the late-night coding sessions required to refine them as we were back in 1997.
During our 2020 editorial calendar discussions, I asked our editor Eric for permission to write a sequence of 文章 called "The Algorithm Series," which will be a deep dive into the underpinning math that powers the streaming industry.
For me personally, the Algorithm Series comes at an opportune time for three reasons.
第一个, 2020 has always been one of those "in the future" dates that held a lot of weight, even as a kid growing up in the 1970s. It makes for a good reflection point on how the industry has progressed and sets the stage to ask whether the math behind the magic will be different in 20 years' time.
Second, my fiancée has been introducing me to numbers theory, modulo, and all manner of math terms. 她懂数学, as I witnessed at an informal lunch at the IBC broadcast trade show in Amsterdam back in September. One of the more brilliant minds in the industry was explaining a concept to me, and he started to jot down the math decisioning stages in the notebook he carries. The look on my fiancée’s face—and the subsequent conversation that followed between her and him, complete with terms that I was struggling to keep up with—led directly to the desire to both learn and to share with our readers not just the engineering implications but the math itself.
Third, it’s a return to the roots of 流媒体. 回到20世纪90年代末, you were just as likely to hear a conversation at the 流媒体 trade shows that involved math and logical constructs as you were to hear a business pitch. 我个人觉得, in conjunction with the rise of the Women in 流媒体 group, that it’s time to get quite a bit more of that heritage back into mainstream conversations as a way to demonstrate that math offers a legitimate career path in what is an enviable industry to both work and thrive in.
The Algorithms Series will be broken down in to four topics: content delivery, 球员的表现, 生活事件, and digital rights management (DRM).
Delivering content at scale requires precise content caching or replication, 优化的网络路径, 战略性的服务器布局. This will be the first article’s focus, and will arrive in the January 2020 issue. We’ll look at a few of the key algorithms used to balance strategic core and edge architecture demands, with an eye on how they potentially lower operational costs.
Part of my job as a writer is to be able to convey concepts in a clear, 希望是精确的方式, so I’ve got my work cut out for me. 但这是一个挑战, and my parents instilled in me a desire for lifelong learning, so my task over the next few months will be to learn it well enough to explain it to you, 读者.
Along the way I’ll also interview some of the mathematicians in the industry, both to better digest their published findings as well as to understand what initial vexing problem drove them towards discovery—and what they’re doing to continually optimize the algorithms for global streaming applications.
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